Artist In Residence Project

This project was a huge jump for me in terms of solidifying my artistic voice and finding a certain way I like to work. It was one of my favorite projects this year and I found it exciting to work on everyday. Having a partner definitely helped and both 5am and I were able to collaborate together really well and build off of each other. Working abstractly and presenting a situation in which the materials and (paint and ink)  devices we used to spread the materials did most of the work was a fun new way to play with our art. The sense of freedom and movement we had in the project was also invigorating. Everything felt very natural which made it a lot of fun. In terms of our intentions, we changed our expectations a little bit as the project went on, but it was mostly about experimenting on different surfaces. We wound up incorporating a certain amount of detail and the idea of reconstruction/deconstruction in our work which also made our pieces more intriguing. In our first two, we captured a sense of cosmic life as well and tiny, bacterial life. Adding fine detail to those really helped bring them out and create a path for the viewer to follow. Our deconstruction/reconstruction pieces originated from rejected pieces where we had fooled around with color and texture. Yet when we took the most interesting parts and smashed them together, we came up with two coherent pieces. We really only used one or two different inks and paint, but using both a little water and different spreading devices, we captured a great array of different textures and outcomes. It was fairly simple but it was exciting to challenge each other to come up with the next cool idea. This project will provide me with some great guidance moving forward as this type of work really resonated with me.

FOR LUKE:

Working with Luke helped out a ton and it was nice being able to run our ideas by him and get quality feedback. He provided good insight for us and really propelled up into our reconstruction/deconstruction pieces. Once we fleshed out our ideas with him and got his honest feedback, we were able to dive in completely to the project and enjoy ourselves.

Our Final Works:

Picturing Places

Maggie and I started out this project with a vision of creating a jungle-like atmosphere with lots of greens, yellows and other vibrant colors. We wanted to create a scene that was serene and felt very peaceful, but as the project went on, we managed to do this in a much different way than we intended. We wound up creating a piece that did have a sense of peace, but also something mystifying as a result of the darker colors and the fog. Our scene became almost swampy as we did not anticipate how dark the photos would be. Personally, I think this project really reflected my artistic voice, yet it did so in a way that I had not experimented with before. Incorporating photography in the project offered me a new medium to play with and learn about, while I also kept some of my abstract tendencies. It was interesting to spend so much time working on how we wanted our piece to come out and having it take a very different turn than what we anticipated when everything was put together. In the beginning, we did not have much that was specific or detail in our work, but as we added a third dimension to the project, we ventured into some previously unexplored territory. Once we got to play around with the camera and the fog, our work took on a whole new life and though we did not intend to get the result we did, we wound up creating arguably a much more interesting piece than we had dreamed up originally. Going forward, I am excited to continue experimenting with newer mediums and pushing myself to try new and unorthodox techniques like I was able to do in this project.

Here is our final piece:

Here is our work while in progress:

Artist In Residence Preliminary Reflection

I really enjoyed the experimental nature of this project. Though my group was given very few materials to work with, I found that creating something from what we were given was easier in a sense than creating something ourselves. It was nice to just be handed materials and let loose. Obviously we had to use what was in front of us, but there was still a sense of freedom to do whatever we wanted with our materials. It was interesting to see not only what we came up with , but also what everyone else made because it was such a short time period, yet everyone came up with great ideas. My group wound up making a "bridge to the heavens" a subject (in keeping with the theme of mythology) that would theoretically demonstrate the treacherous path on would have to take in order to reach the heavens in the after life.

My favorite piece of Luke's was this one:

The aspect I liked the the most about this this piece is its sheer randomness. It is very random, but in a much different sense than the project we just completed. In this piece, the material (silver) is doing most of the work. Luke poured it into the metal sheet himself but the silver moved and solidified on its own accord. I'm not sure how I would like to incorporate this idea into my work, but I really like the idea of the materials creating the own entity.

I actually would love to use Tara Donovan and Mark Bradford as inspirations for the next project. They each have very interesting works that I would like to explore further.
Tara's work is cleaner and leans more towards the sculptural aspect of art. The texture she employs in this piece below helps to bring out and distinguish a very monotonous white color. I am most intrigued by how she works with texture and I would love to incorporate some of that into whatever I make next.

Mark's work incorporates more of the "randomness" I was just referring to. Using his work as inspiration, I can see myself aiming to create something like Luke where I let the materials do most of the work. I like the idea of splattering paint on to some very texture sculpture and seeing where that goes. Mark's painting I liked the most is the one below because he uses his space very well and his colors all seem to work together to really bring out the piece.

I am excited to go crazy with this project. Like I mentioned, I want to take a very texture base and then go wild with color and see where that takes me. Using a mythological subject sort of appeals to me but I would only use such a subject as a base that would direct me into the rest of the project. In terms of specific ideas, I am not quite sure where I am going yet. I really want to embrace Luke's "randomness" and start with a base and see where that takes me. I know that I want to work both sculpturally (for the textured base) and painterly (for the surface) to create a complete piece. Other than that, I am open to anything and would love to experiment a lot during this project. I don't have any real concerns because just like in Luke's work, sometimes unexpected mistakes can lead to a great piece of art.

Freedom Project

The sense of complete freedom and control I had over this project really helped me to enjoy it a lot. As this was our first ever project that was left entirely up to us, I found that it was a great time to move back to more travelled territory for me. Throughout this year, I have strayed away from painting and more towards sculpture and three-dimensional projects. I took this project as my opportunity to go back to painting and work on something that I am used to. With that in mind, I did not just mindlessly paint, but I looked to better my understanding of painting and bring in qualities and knowledge that I have accumulated over a lot of time and many projects. I feel like my artistic voice is finally starting to show itself a little bit and I seem to be moving towards painting.
My intentions for this project only ever shifted a little bit. Originally, as I have talked about, I wanted to emulate Lisa Escherick's work by adding some detail but not too much. Also, my fresh, new, not Branson subject matter made me enthusiastic about my work. As my piece progressed, I wound up actually not including all that much detail. I was able to get across my feeling more by working with the textures and colors of the paint. I really would not have changed anything in my process except for hopefully for the next project, have some more time. I used a lot of my previous knowledge about painting in order to work with underlying colors and textures, but in this specific project I was able to add to that by using the matt medium for the first time. It helped tremendously with my work and it was a lot of fun to work with. I was very pleased with my final piece but I hope to be able to work on it more in the future in order to perfect a few things.
This project was a big leap for me and my understanding of myself of an artist. As I previously mentioned, I believe that my artistic voice began to peak its head out during this process. I am really drawn to using color and texture to convey an emotional feeling in my work. I think that details can take away from the flowing nature of my work where there aren't many harsh changes in scenery. Overall, I am excited to now be able to delve into and explore my new found artistic voice maybe not in the upcoming resident artistic project, but in whatever comes next.

In Progress Critique

As of right now I don't have anything solid to document but I was able to run my idea by my group. I am following in the footsteps of Lisa Escherik for this project. I want to make a realist painting but not with a lot of details. I really like how Escherik's lines are somewhat hazy and don't have a set boundary. The color shifts maintain the "boundaries" of each different part. I have been taking a lot of pictures at school to practice and get an idea for color and contrast again but I'm going to use a picture from a field by my house to model my work after. It'll offer new subject matter for me to work on and the spot I am using has lots of different aspects to it that will make my painting more interesting. My critique group members didn't have much to critique me on because I didn't have anything to show yet but they liked the direction in which I was going.

Mapping Project Final

This project offered my a very different view of mapping than I had seen in the past. I was able to expand my view of what I believed a "map" was and create a new definition in my mind. Instead of a map showing specific things, I took lots of different parts and pieces to create a larger image. The project allowed me to further explore what I believe my artistic voice is, at least at this point. I enjoyed working with wood and other materials but also working in my experience with painting in order to create a complete piece. My original intentions actually managed to stick with me throughout the entire project. I liked the idea of using wood and whatever other materials I could find in order to create the shape of France. I then used painting to liven up the scraps and create a fluid background that displayed good contrast. I didn't really have a particular artist I modeled my work after, the project was more of an idea I came up with myself after taking quite a while to figure out how I wanted to approach "mapping". The critique helped me finish up and touch up some details in the piece in order to finally give me a sense of being done with it. In terms of giving advice, I found it easy to help others with their work and provide new insights for them and as I did so, it actually help me voice some ideas that I wound up using myself. I believe that the project was successful and it will be a great piece to show in the upcoming gallery opening.

My work photographed with better lighting:

My work on display in the gallery:

Interim Mapping Blog Post

At the beginning of the project I wasn't really sure what direction I wanted to go in. It took a lot of experimenting with different mediums to finally figure out what I wanted to do. I thought I was going to move towards creating a piece that was an all-encompasing map of the world, but I wound up enjoying focusing on a specific country more. It offers a sense of freedom in how I want to represent my subject. For this project, I am carrying over a good deal of the elements from my last project. I am going to loosely trace France onto a large, painted block of wood that I will use as my base. On top of the base, I will use cut out pieces of wood in order to construct the country on top of my base. I'm excited about using my last project as a spring board for this one. Also, representing a subject that I like and have personal connections to is always fun. I can try to represent France in a way that I have never thought of before. Having worked on conceptual values such as of color, different textures and compositions in my last project will really help me move forward with putting my project together. Three questions I would ask my group are, "What sort of emotion are you trying to convey with this project?", "What specific mediums are you exploring/planning on using in this project?", and "How were you inspired to go in the direction you have with this project/are there any specific artists you are modeling your work after?".

Self Portrait

 For this project, I ventured outside of my comfort zone quite a bit. I chose to take a more abstract approach to the self portrait. I worked in part with paint by painting over wood blocks, yet I also worked sculpturally by creating a three dimensional piece with my blocks. Usually I like to work somewhat abstractly, but this project took it to a whole new level. My intentions were very similar throughout the project. I wanted to convey feeling through the contrasting colors, textures and shapes instead of relying on precise and exact drawings. It was hard to challenge myself to come up with formations that really resonated with me. There was originally going to be a second half to my sculpture, but instead of adding a second half that I was not as pleased with, I stuck with the main part which I believed conveyed much more feeling. All the different aspects and details of the sculpture related back to the self portrait theme because it felt as if each part, however small it may be, corresponded to the very different events and important things in my life. They were not specific by any means, but just represented everything as a whole and how different each thing could be. I mostly used Chris Johansson as inspiration for this project because his works conveyed a very similar feeling to what I wanted to express. I really liked how he used lots of different textures and colors while also creating intriguing configurations that added depth to his work.

Intentions for Self Study

I would like to take a more abstract route for my for my self study project. This past week I have worked on both realistic and abstract portraits but I am straying towards abstraction. For inspiration, I began to look through the work of other artists. One artist whose work I found to be very conceptually pleasing was Chris Johansson. I would like to incorporate some of his style into my self portrait. In order to do this, I am going to be using lots of different colors and textures to put across a vibrant feel in my work. My goal for this project is to create a piece that represents me less with physical attributes, but more with emotional feel. I may even attempt to create a series of pieces and form a set that fits together. I plan on mostly using wood on canvas for my piece and this will allow me to work with multiple different textures in order to create the feel I would like. Overall, I would like to challenge myself to create a work that fully expresses myself without actually implementing any realist work.

Here are some of my sketches from this week:

Final Blog Post Of The Year

I believe that my Edward Hopper painting from our artist emulation project was my most successful piece. I was really able to spend a lot of time on it and therefore I had more time to refine and revise my work. In this project I was able to explore my use of color and texture. I used contrasting colors and texture in order to draw the viewers eye around the whole painting. Also details contrasted nicely with the very vague painting. I think that I was able to successfully achieve my goal of creating a quiet, peaceful scene just like Hopper did in Early Sunday Morning. The smooth colors help to relax the whole feel of the painting which is exactly what I was working for.
The most challenging project of the year for me was our final landscape project. I find that I have a harder time trying to represent realistically which is why I lean more towards the abstract or even half-abstract. My final work only somewhat resembles my early sketches. My early sketches were fairly detailed and specific, but when I got to the painting, I found the paint hard to control which led to me using less detail. The whole final work wound up pretty abstract but I was still able to go back to using strong colors and textures as good contrast. Also, the composition wound up a little more "cookie cutter" than I would have liked but I was able to work on that and try to make it less predictable once I had the basics down.
I think that the formal strength I worked on this year the most was balance. This goes for every aspect of my work. Whether it was color, texture, composition or light, I felt that I was always able to find a fairly good balance between what elements were working well.
As a technical strength, I believe that my painting has come a long way. I have painted for most of the year, especially with oil based paints and therefore I have had virtually A whole year to hone in on my skills.  I would still like to master details better though. That was the one thing I had trouble with all year while I was painting. SOme works could have been a little better if I could have added detail. That is what I would really like to work on next year.
Lastly, as a conceptual strength, I believe that I have learned what my favorite style of work is. I like to let my imagination go and while I do try to keep some realism and some basic aspects of realism, I really like to work abstractly.  This will help me a lot going forward because now I know what I do well and also what I can look forward to working on next year!

Landscape Final

Throughout this project while studying and creating my own landscape, I have simplified my definition of landscape. I believe that a landscape could be as basic as a large captured scene. I think this definition relates to my "artistic voice" a lot because I have noticed over the last year that I have found a particular interest in a mix of realism and abstraction when representing landscapes. This mix really showed up in my last work of the year. As I have compared realism and abstraction, I believe that I have also relied a lot on contrasting colors and textures to get across certain emotions in my works.

In terms of feedback, a lot of what my classmates had to say was about my use of strong colors. They said that the harsh difference in the building's color and the background's color really made each aspect of the work "stand out". It was also interesting to see where the viewer was brought into the painting. Everyone had a different place that their eye was drawn to. There were lots of possible "entrances" to the painting. Other comments that were added were: I maintained good brushstrokes throughout the work, I created a peaceful scene and maybe I could have added some more detail to the building. The two comments that stood out to me were about the contrasting colors and how the viewer's eyes navigated through the painting. I feel like those comments show me that I was able to get my intentions across. My whole idea at the beginning of the work was to maintain the contrast and provide an intriguing picture that movers the eyes around a lot.

I do not believe this represents all my knowledge to this point as an artist because this project was shorter and I did not have much time as I had liked. However, I was able to get across some of my development this year using formal techniques such as color, contrast and texture.

I could have pushed myself more if I had had more time. I could have refined my details a lot and worked on my background to make it less regular. I was still able to "stretch and explore" by experimenting with colors and just going for it instead of paying attention to every little detail.

Landscape

My definiton of a landscape would be a captured scene in which lies a foreground, middleground( not always necessary) and a background. To me, this seems like a traditional definition for landscape because it covers all sorts of generic landscapes that have been created throughout the history of art. So far during this project I have been working on the basics when its comes to landscape composition. As seen in my attached painting and sketches, I have tried to create a sense of three-dimentionality as well as clearly illustrate the different plains and sections of the compositions. To conclude this project, I would like to head towards refining my skills by completing either a sketch or painting that stays with the traditional forms of landscape.

Printing Final

My litho print turned out to be much simpler than I initially intended. I found that it was much easier to work and practice with the medium if I used all of my effort on it. I wound up only working with the French and American flags in order to create lots of prints. This multitude of prints offered a wide range of success and provided me with the option of choosing the ones that I liked the most. I was really intrigued at the variety of textures I wound up with after using the pronto plates more of less. No two prints were ever the same even though I kept doing the same process. Also, the red and blue colors would mix differently ever time creating a new visual each time. Overall, I was attracted to this process because if offered a wide degree of experimentation even with a simple subject.

In-process Printmaking

I have had very mixed outcomes with my pronto plate prints. The first few tests prints of the entirely blue french flag and the entirely red american flag came out very nice and clean. Then as I began to use the pronto plates more and more, they accumulated too much ink which resulted in a blurrier image and ink spilling over into the borders. I think that replicating my process numerous times could be interesting if I were to make small changes each time. I have thought about changing the direction of the flags, maybe the color, and even possibly adding another layer (presumably a Basque cross). For my end product I would really like to work on getting better prints like I had been doing at the beginning of this project. Being very precise and paying close attention to the detail I would like in my print will be essential to creating an aesthetically pleasing composition.

Final Blog Post

Beginning with my workbook, I tried to emulate Edward Hopper's style through drawing vast landscapes with ink just as he did. I focused a lot on the bigger picture in my scetches as well as a sense of loneliness created in Hopper's work. I could have dug a little deeper by paying more attention to detail. I got caught up in the larger view and did not spend much time focusing directly on my approach to detail.
I believe that my final product emulated Hopper's style fairly well. I employed his use of harsh contrast of light versus dark, captured a sense of loneliness, used detailed signs and used a subject that helps to define the time we live in now. I spent lots of time learning about Hopper's style and I think that those studies transfered into my work as I was able to engage and persist with his style.
I felt that the conversations with my pen pals were helpful and thoughtful. Towards the end of my work they guided me as to how to finish my painting. The creative personal insight I recieved from my friends was great but I thought that the formal language was lacking a little.
I really enjoyed working with the different colors in this project. It was very difficult to get the right color sometimes, but I needed to find a color that worked in contrast with the others. Color mixing was also very important. In order to capture the building and the road, I had to successfully use different shades to give my subjects some definition.
As to my personal expression, as long as I stayed within Hopper's tendencies, I could work fairly freely. I changed to the point of view from my original subject picture to a straight on shot, and I was able to experiment with lots of different ideas I had while keeping a sense of loneliness in the picture.
I think I have two main strengths as an artist: first, I like to think that I work well with shade and light/dark contrast. This showed in my painting with lots of complementary colors. Secondly, once I have the basics down, I work well with conveying emotion in my work. I thought that my final work emulated Hopper's sense of loneliness very well.

Here is my final work:

Artist Emulation Paining In Progress

Artist Emulation (2nd Post)

In trying to emulate my chosen artist, Edward Hopper, I am going to focus my final work on an oil painting. Hopper's style of painting involves lots of harsh contrast between dark and light colors that I will have to use. Also, as I am trying to create a modernized version of one of Hopper's paintings (Early Sunday Morning) that incorporates a large use of space, my composition will have to reflect the same use of space. Simplicity and uniformity will be another large theme in my painting that I am trying to get across. I will have to observe the details of both Hopper's painting and apply their concepts to the scene that I am painting. Stretching and exploring will be essential for me n this project because though the painting that I am emulating is simple, there are many small details and emotions that I will have to express.

Artist Emulation: Edward Hopper

I chose Edward Hopper as my artist to emulate. Hopper's work revolved around painting iconic scenes and places during his lifetime. He also liked to incorporate subjects into his work that would connect the painting and unify it. One of his main subjects was his wife whom he often used for inspiration. Hopper enjoyed taking complex scenes and simplyfing them. He used this technique in many of his paintings, especially when attepting to capture something iconic from his generation. When capturing a scene, Hopper found his way to artistically communicate in the use of signs. The signs helped Hopper to establish what the feeling and the action were supposed to be in his work.
Hopper had a very specific process routines. He would start by drawing detailed sketches with pencil and pen. Then he would move on to etchings and working with color. Only then would he move on to his oil paintings. Though most of Hopper's work was realistic, he still managed to paint the world the way he saw it. Lastly, Hopper always worked dark to light. He would set the tone with the darker colors before he thought about moving on.

Here are some examples of Hopper's work:

Landscape Painting

My work shows original mark making through the layering and under painting. I used many different layers of paint, usually switching up the mark making from thick to thin or short to even shorter depending on the area of focus. Stylistically, i like to use certain areas of my piece to draw in a viewer. This technique shows up in my painting towards the front with the bush and the path leading into the piece. Color choices were another important aspect to this painting. I spent a lot of time mixing and creating color that matched my strip that I had to emulate. I used lots of patches of color, adding in strong colors to bring out certain parts of the painting.
I realized during this project that painting is much harder than it seems. Mixing colors and finding the right textures took lots of time and effort, but it really does help you in the end. Even mark making adds a lot to a piece. Depending on the stroke of your brush, you can create a flow to your painting.
I think that my canvas is pretty well unified. The separate marks at each of the "sections" of my painting actually attract each other and bring each other out. Having specific areas that break the normality of the piece is another helpful aspect. Especially the bush that creates a different point of view and perspective. I tried to put a much detail as I could where it was needed. I found that mixing colors on the tip of my brush and experimenting with that helped a lot.
I feel very comfortable as a painter. Now that I am more at ease with mixing colors, mark making and mistakes (because I can always go back over my work) I can fully experiment with the medium. I personally believe that there are no limitations to what I or even anyone can do because art is about experimenting with every aspect of your medium. Hopefully in the future I can continue to work on my paintings by switching up the style in which I paint and the style of that which I am painting.


My painting:

Original painting:

Final Blog Post

My last silhouette ink painting left more room for creativity. Unlike my previous drawings and paintings so far this year, I had no specific shape I had to follow or an object that I had to replicate exactly. For drawing my silhouettes, I used two trees. Because of these subjects I had more room to express and abstractly think and draw. Working with positive and negative space as well as light versus dark was a skill that I greatly improved upon in the painting. I tried to focus on the movement of the objects and use their "weight" to properly place them. My process and "craft" also improved in this painting. I found that taking my time and really exploring and expanding on my option for the painting helped a lot. I think that I am able to create shapes and figures that I find interesting, but my composition of them hasn't quite been where I would like. In future projects I plan on expanding in my view and perception of composition to fully enhance my paintings and drawings.